fredag 27 april 2018

Fotomagi av Julia Margaret Cameron

Bilden hämtad från Getty Open Content Program

Den här bilden blir jag sedan många år förtrollad av. När jag såg den som omslag till ett aprilnummer av Times Litterary Supplement var jag tvungen plocka fram bakgrunden och fotografen, och jag hade tur som fann den i Gettys öppna arkiv.
Omslag till TLS 13 april 2018

Our roles were no less than those of two of the Angels of the Nativity, and to sustain them we were scantily clad, and each had a pair of heavy swan's wings fastened to her narrow shoulders ... No wonder those old photographs of us, leaning over imaginary ramparts of heaven, look anxious and wistful. This is how we felt, for we never knew what Aunt Julia was going to do next. 
--Laura (Gurney) Troubridge 

Young Rachel Gurney's forlorn expression does not quite fit her role as an angel, but in a humorous way, her performance supports this photograph's staged look. She is perched on a box that is covered loosely in drapery and positioned stiffly on a table, with fake wings attached to her. Resting her chin on her crossed arms, she appears resigned to her fate of posing for the camera. 

Julia Margaret Cameron made a suite of photographs based on 
putti from Renaissance and post-Renaissance paintings. As children, Rachel and her sister Laura were often recruited to play the cherubs. Years later, they remembered the patience it took to pose for their great aunt.


Julia Margaret Cameron fotograferad av 
sin son Henry Hay Cameron, ca 1875.



2 kommentarer:

Anonym sa...

Tack för bilden. Imponerande fotograf som jag inte kände till.
Lustigt med vissa bilder som man minns utan att veta varför.
Cohens porträtt på skivan The Essential LC och Hemingways ansikte på Lillian Ross Pinguinpocket har följt mig i många år.
Lennart Romberg

Thomas Nydahl sa...

Håller med dig, men också denna berör mig mycket


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